Search Email Updates Contact Us Residents Business Visitors Government Office of the Mayor NYC.gov always open
The City of New York Mayor's Office of Film Theatre & Broadcasting Home MADE IN NY - Free Permits, Free Parking, Free Police Assistance, Safest Large City in the U.S.
   
  news/multimedia homecurrent newsletternews archivesindustry studiesnyc film and tv triviaindustry star of the monthMade in NY PA of the Month  
search
 
Ed Koch's Weekly Movie Reviews
How Am I Doing? How Are They Doing? New York City Mayor Ed Koch, a quintessential New Yorker, offers his candid reviews of new releases on the big screen.

Movie Review: "What Alice Found" (+)

December 22, 2003 
     This is a superbly-crafted movie with three terrific principal actors. The rather simple storyline depicts a moving and poignant slice of life at the lower depths.
     Alice (Emily Grace) is leaving her home in New Hampshire where she had been living with her mother, a single parent. She is driving an old car to Miami, hoping to meet up with a friend and enroll in college. When her car breaks down, she is assisted by two "good Samaritans" driving a camper who offer her a ride to Florida which she accepts. We learn a lot more about Alice from the film's flashbacks, and it isn't all nice.      Alice soon learns that her two companions, Sandra (Judith Ivey) and Bill (Bill Raymond), are engaged in prostitution at truck stops. At first Alice is repelled by the idea, but she is ultimately drawn to the money she will earn from each encounter.Ivey's acting and accent are magnificent and Raymond's taciturn manner exactly what is required.
     The sex scenes are tawdry and believable, and the denouement is also believable. This sleeper movie, probably made for next to nothing, will provide you with an evening of great pleasure and, in most cases, with an appreciation of your personal good fortune, assuming your life is okay.

Movie Review: "The Statement" (-)

December 22, 2003
     Not very good at all. Based on a book and true story, the film covers an event in Vichy, France, when the local French collaborators in the Vichy government cooperated with the Nazis in the roundup and murder of Jews.
     The movie opens with the roundup of seven French/Jewish males who are lined up and commanded to drop their pants to verify, by their circumcision, that they are Jews. They are then shot. The story moves 50 years ahead with the French police commander, Pierre Brossard (Michael Caine), on the run and hiding in monasteries. When he shows up at a bar to have a drink and collect a check sent there regularly by mail, we learn of a conspiracy to kill him.
     The conspiracy group referred to as the assassins are ill defined and unsuccessful in their efforts to kill him. A French judge, Annemarie Livi (Tilda Swinton), and the French Colonel Roux (Jeremy Northam) are also looking to arrest Brossard. The questions are who will get to him first and is the second group made up of political assassins or a Jewish group seeking justice for the past murders.
     The story should have been exciting, but there was not one moment of anxiety for me nor I suspect for anyone else in the theater, which was only 15 percent full. The acting was without distinction.
     The storyline is anti-Catholic in that while many church people helped war criminals escape justice, there were Catholics who helped save Jews. This film does not depict one single Catholic fighting against the Nazis. If I were Catholic, I would be incensed. The film is, intentionally or not, anti-Catholic, and those who expect others to speak up when the victims are Jews or blacks should speak up.

read last week's reviews


design by   dogmatic, inc

The City of New York Mayor's Office of Film Theatre & Broadcasting
1697 Broadway Suite 602, New York, New York 10019.





Copyright 2010 The City of New York Contact Us | FAQs | Privacy Statement | Site Map